
Stanford University
Music Department
Jessica Payette is a doctoral candidate in Music History at Stanford University. She received a Bachelor of Music degree in Piano Performance and a B.A. in Art History from the University of Minnesota in 2001. She specializes in Western art music of the twentieth century, with particular emphasis on Arnold Schoenberg’s vocal works. Her dissertation traces the development and reception of the style of musical Expressionism.
"Seismographic Screams: Erwartung's Reverberations through Twentieth-Century Culture" seeks to better delineate the stylistic markers of musical Expressionism, allegedly epitomized by Arnold Schoenberg’s 1909 monodrama Erwartung ("Expectation"), and demonstrate the degree to which they have been embraced throughout the twentieth century by both avant-garde composers and artists active in other realms. Tracing the work’s reception by a variety of interpretive communities, including composers of art music, film music composers, performance artists, and choreographers, indicates that the monodrama’s novel combination of vocal strain, unruly instrumental sonorities, and temporal obscurity frequently accompanies violent scenes of physical or emotional entrapment in dramatic art forms. This study explores how the general population grew to perceive atonal music as a sonic cultural signifier for psychological instability and corporeal brutalization.
Robert Barrick
Fellowship Administrator
rbarrick@stanford.edu
T 650.723.3054
F 650.723.1895
The Humanities Center’s fellowships are made possible by gifts and grants from the following individuals, foundations and divisions within Stanford: The Esther Hayfer Bloom Estate, Theodore H. and Frances K. Geballe, Marta Sutton Weeks, The Mericos Foundation, The National Endowment for the Humanities, The Rockefeller Foundation, as well as from Stanford’s School of Humanities and Sciences, and the Office of the Vice-Provost for Undergraduate Education.