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Seminar with Nina Bunjevac

Date and Time: 
Friday, February 6, 2015. 12:00 PM - 01:30 PM
Meeting Location: 
Room 208, Encina Hall West, Stanford University
Workshop: 
Graphic Narrative Project
Meeting Description: 
About the speaker:
Nina Bunjevac started her art training in Yugoslavia, at the Djordje Krstic School for Applied Arts; in 1990 she moved to Toronto, Canada, where she continued her studies in art at the Art Centre of Central Technical School; in 1997 she graduated from OCAD in the Drawing and Painting department. Formerly a painter, a sculptor and an art teacher, Nina found her calling in pen and ink sequential art, a form that seemed to naturally evolve out of the narrative component in her sculpture installation work.
 
Nina’s comics have appeared in a number of local and international publications: Komikaze (Croatia), Black (Italy), GIUDA (Italy), Stripburger (Slovenia), Zone 5300 (Netherlands), Stripolis (Serbia), ArtReview (UK), Asiatroma/Le Dernier Cri (France), Broken Pencil, Exile, Taddle Creek (Canada), Mineshaft and The Best American Comics (USA).
 
Her debut collection of comics titled Heartless came out in September 2012 with the Nova Scotia-based publisher Conundrum Press, and was translated and published in France in 2013 by Ici-même Editions. Nina’s second book Fatherland was published in September 2014 with Cape Graphic/Random House in UK and Canada, and was published in the US in January. It is also scheduled to be translated and published in Germany, France, Czech Republic, Spain and Croatia.
 
In 2011 Nina received The Golden Pen of Belgrade at the 11th International Biennale of Illustration in Belgrade for the cover image of Balkan Women in Comics (Fibra/Croatia), and in 2013 she received The Doug Wright Award in the Spotlight category, also known as The Nipper, for Heartless.
 
Meeting description:
Nina Bunjevac will hold a masterclass. Drawing on her professional experience in graphic storytelling as well as on the work of other graphic artists, Bunjevac will discuss the advantages and disadvantages of the medium of comics in depicting historical and political themes. She will also talk about the history of the Yugoslav comics scene dating to the 1930s, focusing on how it was transformed by the wars of the 1990s, as well as the continued cultural exchange between cartoonists and publishers throughout this period of conflict.
 
 
This is a joint event with the Center for Russian, East European, and Eurasian Studies (CREEES). This event is also made possible by the generous co-sponsorship of the Center for Comparative Studies in Race and Ethnicity and the History Department.

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