Black and Brown Intimacies Across Africa, Asia, and the Caribbean

updated

European exploitation desires the black slave, the Chinese coolie, and the Indian laborer for the same ends and the same purposes.”

W. E. B. Du Bois “The Clash of Color: Indians and American Negroes.” The Aryan Path 1936 (2005).

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Life, Labor, and a Coolie Picturesque in Jamaica

Jenny Sharpe considers the visual power of the imperial picturesque. Analyzing touristic photography of Indian field workers in the Caribbean, Sharpe argues that a “coolie picturesque” simultaneously reveals and conceals the permanent settlement of Indians and their racial mixing with Afro-Jamaicans.

Picturing South Asians in Victorian Jamaica

Analyzing the staging and composition of archival photography of South Asian laborers in 19th-century Jamaica, Anna Arabindan-Kesson reflects upon the role of photography in evoking particular colonial narratives about indenture, the perception of Indian laborers’ assimilability, and Jamaica’s modernization.

Queering the Archive: Brown Bodies in Ecstasy: Visual Assemblages, and the Pleasures of Transgressive Erotics

Jordache A. Ellapen reflects on his photographic project, Queering the Archive: Brown Bodies in Ecstasy, which blends photographs from his family archive with contemporary portraits shot in a studio. The work examines the intersections of race, sexuality, and eroticism as they relate to the in/visibility of black and brown queer bodies and subjectivities in South Africa.

Preserving Indian Identity in the French Caribbean: A Case for Guadeloupe and Martinique
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The Indian populations in Guadeloupe and Martinique have been organising numerous large scale cultural events in recent years although their ancestors, historically compelled by socio-political pressure to “creolise”, abandoned most of their traditions and languages to fit into a predominantly French Creole society. Despite this, their descendants have kept some Indian customs and have become more organised in keeping alive a sense of identity. 

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