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Book Chapter
Critique and Competition

The following is an excerpt from the "Introduction" (pg. 1-45) of Generous Thinking: A Radical Approach to Saving the University.


...[as] much we as scholars might reject individualism as part and parcel of the humanist, positivist ways of the past, our working lives—on campus and off—are overdetermined by it. The entire academic enterprise serves to cultivate individualism, in fact. Beginning with college applications, extending through graduate school admissions, fellowship applications, the job market, publication submissions, and, seemingly finally, the tenure and promotion review, those of us on campus are subject to selection. These processes present themselves as meritocratic: there are some metrics for quality against which applicants are measured, and the best—whatever that might mean in a given context—are rewarded. In actual practice, however, those metrics are never neutral, and what we are measured against is far more often than not one another—sometimes literally: it’s not uncommon for research universities to ask external reviewers in tenure and promotion cases to rank candidates against the best two or three scholars in the field. Of course, as Erik Simpson reminds me, this kind of request is uncommon in other types of institutions, especially community colleges and regional comprehensive universities. And yet that very distinction raises the question of rankings and hierarchies among institutions and institutional types, and the ways that they are required to compete for faculty and other resources. Always, always, in the hidden unconscious of the profession, there is this competition: for positions, for people, for resources, for acclaim. And the drive to compete that this mode of being instills in us can’t ever be fully contained by these specific processes; it bleeds out into all areas of the ways we work, even when we're working together. The competitive individualism that the academy cultivates makes all of us painfully aware that even our most collaborative efforts will be assessed individually, with the result that even those fields whose advancement depends most on team-based efforts are required to develop careful guidelines for establishing credit and priority.

This competitive individualism contradicts—and in fact undermines—all of the most important communal aspects of life within our institutions of higher education. Our principles of shared governance, for instance, are built on the notion that colleges and universities operate best as collectives, in which all members contribute to their direction and functioning. In actual practice, however, our all-too-clear understanding that (especially at research universities) service to the institution will have the least impact when we are evaluated and ranked for salary increases and promotions encourages faculty members to avoid that labor, to reserve our time and energy for those aspects of our work that will enable recognition of our individual achievements. The results are not good for any of us: faculty disengage from the functioning of the institution and the shared purposes that it serves; some of the work that we might have done is instead taken on by academic and administrative staff; university governance becomes increasingly an administrative function, with an ever-growing phalanx of associate vice provosts creating and overseeing the processes that structure our institutions and our work within them, ostensibly freeing the faculty up to focus on the competitive work that will allow us as individuals and our universities as institutions to climb the rankings.

This is no way to run a collective. It’s also no way to structure a fulfilling life: as I’ve written elsewhere, this disengagement from community and singular focus on the race for individual distinction is a key factor in the extremely high risk of burnout among college faculty and other intellectual workers. It is all but impossible for us to structure our lives around the things that are most in line with our deepest personal values when we are driven to focus on those things that will create distinction for us, that will allow us to compare ourselves—or our institutions—favorably with one another.

This individualistic, competitive requirement is inseparable from the privatization that Newfield describes as the political unconscious of the contemporary university. Competition and the race for individual distinction structure the growing conviction that not only the benefits of higher education but also all of our categories of success (both in educational outcomes and in intellectual achievement) can only ever be personal, private, individual rather than social. And no amount of trying to persuade ourselves, or our administrations, or our legislatures of the public good that we, our fields, and our institutions serve will take root unless we figure out how to step off the competitive track, to live the multiplicity of our academic lives in ways that diverge from the singular path now laid out before us.

The need for a different way of being extends to all aspects of scholars’ lives, including—to return to the agonistic approach to advancing knowledge in the humanities that I mentioned earlier—our critical methodologies. This sense of agon, or struggle, encourages us to reject the readings and arguments that have gone before us and to focus on advancing new ways of looking at the material we study. It is this mode of argumentation that leads Fluck to posit a pressure to “outradicalize” one another, given the need to distinguish ourselves and our readings from the many others in our fields. However, the political orientation of our critiques is ultimately of lesser importance than the competitive drive that lies beneath them. Distinguishing our arguments from those of others working in our fields is the primary goal; that we often choose the terrain of the ideological, or wind up embroiled in what Paul Ricoeur describes as the “hermeneutics of suspicion” in order to effect that distinction is a mere by-product. So when my graduate students began their engagement with the article I’d asked them to read by critiquing—and in fact dismissing— it on ideological grounds, the key force at work was not just what Rita Felski describes in The Limits of Critique as our suspicious “conviction” that both the texts that we study and the ways that we have been led to study them are “up to no good” (58). Far more important to the problem in that moment was that my students had no other position than the critical available to them, that the need to stake out their own individual, distinctive positions within the seminar room left them unable to articulate in any positive sense what the article was trying to accomplish because that articulation would have left their own readings somehow indistinguishable from those of the author. So they—we—reject, dismiss, critique. We outradicalize, but in the service of a highly individualistic form of competition. And however much this mode of reading has done to advance our fields and their social commitments—and I will stipulate that it has done a lot—competitive engagement like this too often looks to the many readers just outside our scholarly circles, including students, parents, administrators, and policymakers, like pure negativity, a rejection of the materials of our shared if contested culture, not to mention a seemingly endless series of internal arguments, all of which might well lead them to ask what is to be gained from supporting a field, or an institution, that seems intent on self-dismantling.

Worse, scholars’ internalization of the individualistic imperative to compete and its manifestation in arguments whose primary work is that of rejection have provided an inroad into higher education for some forces that are hastening its dismantling. Bill Readings, in The University in Ruins, powerfully traces the transition of the purposes of higher education from the propagation of the culture of the nation-state and the training of its citizens therein, through an important period of resistance and protest that did the crucial work of opening up both access to higher education and the canon that it taught, to its current role, which seems to be the production of value (both intellectual and human) for global capital. This is to say that many of our concerns about and critiques of the goals of our institutions of higher learning as they were established are well-founded: they were developed in order to cultivate a particular model of citizenship based on exclusion and oppression and focused on the reproduction of state power. The problem is that in the absence of those defining goals, the purpose of higher education has drifted, and not in the ways we would have hoped. As in so many other areas of the contemporary public world, where service to the state is no longer focal, and where the state’s responsibilities to its citizens are no longer clear, corporate interests have interceded. We may no longer promote exclusion and oppression in training state citizens, but we reinstantiate it in a new guise when we turn, however inadvertently, to training corporate citizens. Even worse, rejecting or critiquing that purpose is simply not working: not only is capital extraordinarily able to absorb all critique and to marginalize those who make it, but our inability to stop competing with one another ensures that our critique is contained within the forces of the market that we serve. Perhaps we might have reached, as Felski’s title suggests, the limits of critique; perhaps we might need to adopt a new mode of approach in order to make a dent in the systems that hem us in.

But that is not to say that I am rejecting critique, or critical thinking, or that I think scholars need somehow to find a way “beyond” critique. In fact, the critical approach is at the heart of what scholars do. Not only would we be justified in bristling against any suggestion that we abandon critique, or abandon the social commitments that underwrite it, in favor of an approach to our work that might be more friendly or positive, but we'd also be well within reason if we were to point out that the critique of critique is still critique, that it makes use of criticism’s negative mode in the very act of negating it. Moreover, the critique of critique is too often driven either by a disdain for difficulty or by a rejection of the political in scholarly work. Scholars, perhaps unsurprisingly, take the rejection of the political critique that grounds our work, often accompanied by calls to return to the traditions that made “Western culture” great, as further evidence of our basic correctness: see, contemporary culture really is dominated by conservative and even reactionary forces that must exclude our ideas as a threat to their very being. We also take the resistance to difficulty, especially in the humanities, whether of language or of argument, as a sign of dismissal, of a refusal to take us and our work seriously: no one, after all, scoffs at the uses of jargon in high-energy physics. Meanwhile, even the physicists scoff at the uses of jargon in the humanities: one might be reminded of Alan Sokal’s hoax perpetrated on the journal Social Text, in which he submitted an article arguing that gravity is a social construct as a means of demonstrating what he saw as the intellectual vacuity of both the journal and its field. It worked: not only was the article published, but it made cultural studies a laughing stock. Jennifer Ruark explores the cascading impact of this hoax in a recent oral history, in which Sokal himself notes the “persistent anti-intellectual current” in American culture, which “looks down on the pointy-headed professors and is happy to pick up on any excuse to have a laugh at them" recognizing the damage done by this intramural finger-pointing.

None of this is to say that scholars shouldn’t be critical of one another’s work. It is, however, to suggest that the motives behind our critique might be worth a closer look. And so, too, are the motives behind what feels to us like the public rejection or dismissal of the kinds of work that we do, which might at times be more complex than we automatically assume. For instance, the calls for comprehensibility and the return to tradition in the humanities—see again Bruce Cole—aren’t just about a refusal of difficulty, or a refusal to take us and our work seriously. These calls may be at least in part a sign of the degree to which people care about our subject matter, about literature or history or art. They might indicate the degree to which people feel the cultures we study to be their own, leading them to want on some level to engage with us, to understand and participate in what we’re up to. If so, a bit of generosity on our part might do much to defuse some of the hostility toward our ways of working. There is of course grave political opposition to much of the work that is done on our college campuses today, and I do not at all wish to dismiss the threat that opposition can pose, but I also want to suggest that that glimmer of care for our subject matter creates the opportunity, if we take it seriously, to create forms of connection and dialogue that might help further rather than stymie the work that we do.

Some of my thinking about ways that attention to care might encourage scholars to approach the work that we do from a slightly different perspective has developed out of a talk I heard a couple of years ago by David Scobey, then the dean of the New School for Public Engagement. His suggestion was that scholarly work in the humanities is in a kind of imbalance, that critical thinking has dominated at the expense of a more socially directed mode of what he called “generous thinking" and that a recalibration of the balance between the two might enable us to make possible a greater public commitment in our work, which in turn might inspire a greater public commitment to our work. This book, having drawn its title from Scobey, obviously builds on his argument, but with one key revision: generous thinking is not and should not be opposed to critical thinking. In fact, the two should be fully aligned, and my hope in what follows is to help guide us toward modes of working that allow us to more fruitfully connect the generous and the critical in scholarly work. Rather than critical thinking, the dark opposite of generous thinking, that which has in fact created an imbalance in scholarly work—and not just in the humanities, but across the curriculum—is competitive thinking, thinking that is compelled by what sociologist and economist Thorstein Veblen called “invidious comparison" or what Fluck refers to as the “race for professional distinction." It is the competitive that has undermined the capacity for community-building, both within our campuses and between our campuses and the broader public. What kinds of new discussions, new relationships, new projects might be possible if our critical thinking practices eschewed competition and were instead grounded in generosity?

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Colloquy

Reframing the PhD: Centering Students in a Changing Humanities Landscape

There is no need to rehearse the argument that the tenure-track job market has radically constricted. In this Colloquy, I amplify thinking and writing that, as we continue to labor in this space, specifically centers students’ needs and interests in this shifting landscape, helps faculty transform the way they conceive of student support, and looks to co-create ethical programs with meaningful and sustainable career outcomes that meet the needs and interests of future humanities PhDs.

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I write this introduction as a faculty member who advises and teaches graduate students but primarily as the director of a humanities center who works closely with graduate students in a variety of non-curricular settings including supporting public humanities and community-engaged projects. We have known for a long time that students need to develop capacities beyond those traditionally acquired in graduate school as well as be able to articulate their skills and value to a wider range of employers. Over the last decade or so, the structures in place for graduate school in the humanities have been rethought and reworked, assisted by major grant funding, and a slew of writing has been produced on the topic. 

Our students, for the most part, enter graduate school with a different mindset than many of the faculty advising and teaching them. In part, of course, this mindset is shaped by the realities of the faculty job market and now by the intensified attacks on both the university and on the principles upon which 21st century humanistic research and education rest. But our graduate students are also informed by a different set of research interests and methodologies (digital, community-engaged, collaborative, equity-driven) that often exceed the boundaries of traditional academic humanism and seek to engage with what Stacy Hartman calls “the humanities ecosystem”: an expansive area of research and praxis that includes the purely academic but that is not limited by it. 

A large subset of our graduate students wishes to root their research in collaborative and community-engaged practices and public humanities methods that, with exceptions, many previous generations of scholars did not pursue. This does not imply a dilution of scholarly rigor—a frequently aired preoccupation amongst some faculty members—but rather speaks to an expansion of publics and interlocutors beyond the academic, a praxis of co-creation and collaboration, a reparative and equity-driven mindset, and an engagement with new archives and sources and methods. Even when students are permitted to pursue such work, it is often perceived as an “add on,” something that a student must do on their own time, which has, of course, major implications for equity across graduate student populations. But programs rarely require students to train in these methods, thus implying—wrongly—that public engagement and collaboration are divorced from entrenched ideas about what constitutes research.

This compartmentalizing may be because faculty often believe they can only teach and advise in the same way they were trained. But we have, in fact, all the necessary tools to adapt to this already long-standing reality: we know how to research new topics and learn new skills, how to convene conversations and exchanges of ideas, how to invite experts of many kinds to campus. Using these tools, we can invite our students to be active participants in developing the new capacities many of them are clamoring for. 

Faculty must also train students to navigate and understand the university and its operations—the “hidden curriculum”—so that they may be full partners in shaping their own research projects and outcomes but also in acquiring the skills to enact needed change in the academy. At best, this training could take the form of internships or shadowing in the university’s many administrative spaces that would also serve as career development. But advisers can also take it upon themselves to give students a wider sense of how the humanities ecosystem functions. Mentoring is, of course, key to this understanding, but faculty—who primarily fulfill this role as dissertation advisers, committee members, and directors of graduate studies—need more systematic training in best practices. Students, who are often disadvantaged by the opacity around these relationships, need to be made aware of what they can and should expect from a faculty mentor and, significantly, how to build a broader network of mentors, including peer mentors, alumni, and non-scholarly collaborators. Indeed, more formal structures for graduate student mentorship that include a wider array of those within the humanities ecosystem can only serve to better apprise students of the many possibilities their degree may lead to, and how.

Graduate students increasingly turn to spaces within the universities beyond their departments to access a more robust and expansive humanities education. What Katina Rogers calls “central” and “nonevaluative” spaces, such as humanities centers, writing centers, libraries, outreach centers, and career centers, have experienced staff members with the expertise to expand students’ training and capacities (Putting the Humanities PhD to Work, 79). Hartman and Strakovsky argue that these and other spaces fulfill a broadly conceived curricular function that they call “acculturation,” of which “coursework is only part of the process” (Graduate Education for a Thriving Humanities Ecosystem, 22). This expansive conception of graduate student education should not, however, lead to overloaded students or advisers who grumble about their advisees’ time away from academic research. Instead, a humanities ecosystem mindset can only serve to enhance our students’ trajectories and their well-being.

Here I have curated a list of writings and a video that promote the idea of enabling students to advocate for themselves and their research, praxis, and methodological interests and for their well-being and futures. The texts collected here speak to the limitations of the traditional academic job market but also to the exciting and generative possibilities of a future within a broader humanities ecosystem. They offer creative and, above all, collaborative ways of thinking about the PhD and its outcomes, breaking down the binary thinking that divides public and community-engaged research and practice from the more traditionally understood academic humanities, and emphasizing the importance of an expansive view of mentoring that speaks to a new way of thinking of graduate education as a co-creation. 

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