Photograph of President Erdogan supporters unfolding the national flag of Turkey during after coup demonstrations at Taksim square.
Essay
Dare to Dream Otherwise: Hope as Praxis

Hope is deeply utopian, not in the colloquial or naïve sense of idealism, nor as mere "wishful thinking." Hope is a political and imaginative praxis. It is rooted in the capacity and willingness to envision a radically different "there and then," and to work toward it, even when the "here and now" feels insurmountable. I have always taken Gramsci’s dictum to heart: “pessimism of the mind; optimism of the will.” It indicates the will to confront the structural conditions that produce oppression, inequality, violence, and despair, while still insisting on the enduring possibility of meaningful social change. Past and present, after all, are full of moments of agency, resilience, and resistance—collective or individual—even when dominant common sense insists that “there is no alternative.”

I detect hope in the lifeworlds of my interlocutors—the residents of Gebze, an industrial city on the outskirts of Istanbul. In their stories, hope is sedimented in the mundane acts of endurance, improvisation, and collective struggle that have defined everyday life in the periphery for decades, in varied forms and narrations. In the face of infrastructural violence, political repression, and environmental degradation, hope emerges as a situated praxis of survival and resistance. It surfaces in the refusal to be displaced, in the reclaiming of space through occupation and protest, in the affective ties that bind neighbors and coworkers into communities of solidarity. Hope is inscribed into the very fabric of the urban periphery—an insistence on staying put, on making do, on imagining otherwise from within the rubble of imposed peripherality. It is an optimism rooted in the sharp minds of Gebze’s activists, who have torn open the time-space fabric of the industrial periphery, offering brief yet powerful glimpses into other possible futures.

I also find radical, insurgent, and resolutely utopian hope in the project of democratic confederalism in Rojava in Northern Syria. Amidst the scorched and war-torn geography, a grassroots form of governance has emerged that dares to reimagine life itself, an autonomous life rooted in gender equality, ecological sustainability, and stateless democracy. The Rojavans gesture powerfully toward a Middle East otherwise. It is a living, breathing utopia. Yes, it is fragile but still defiant and crafted precisely through and against violence and collapse. For me, Rojava stands as a beacon. There, utopian hope is practiced in real time, against overwhelming political and military odds. It reminds me that even in the most devastated landscapes, new social imaginaries can take root, carried by the will of ordinary people daring to dream beyond the nation-state, beyond patriarchy and racism, and beyond capitalist extractivism, all the fundamental ills of modern times.

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Colloquy

Hope: The Future of an Idea

Curator

In a troubled age, hope may seem an elusive feeling. Alongside its history as a virtue, a political concept, and a psychological state, it enjoys a vivid presence as a necessary but poorly understood experience in everyday life. To reframe it in the context of this Colloquy, we might ask: how has hope been defined and critiqued? Where does it lie latent or unacknowledged? And how does the work of the humanities depend on hope, and perhaps arouse it? 

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This year at the Stanford Humanities Center, we asked our fellows to reflect on questions of this kind. Their work ranges from the esoteric to the immediate, from the deep past to the present moment, and across the disciplines from music and art history to philosophy and education. Our aim here is to create a repository of informal thinking about the presence of hope in what we do, not only as scholars, artists, and practitioners but as people living in the twenty-first century. 

It is natural to say we live in a hopeless time, as climate change, war, authoritarianism, and other dangers loom over us. Without dismissing the force of despair, this Colloquy proposes to recover the grain of hope, not as a two-dimensional response to three-dimensional problems but as a complex problem on its own. The title of the Colloquy, in which we call hope an idea, is meant to signal this approach. 

The contributions collected here, while conceived from many distinctive intellectual and personal positions, are best discovered in twos and threes. Read or watch one, then another and another, at random. Imagine these items as belonging to a virtual conversation, which stands in for the exchange of ideas that takes place every day at the Center. Some of the contributors are professionally connected to the problem of hope—for instance, the historian of philosophy Pavlos Kontos is now writing authoritatively about hope in Aristotle’s thought—while others accept our invitation to fold the topic into their projects or their lives as scholars. Some simply register the place of hope in their lives. 

Finally, we bear in mind that, even when it is concerned with historically remote cultures or recondite questions, research in the humanities is always about the present and the future. It is through the lens of the present that we address every question, which means that, except for the most circumscribed topics, we seldom produce definitive answers; instead we tend to offer arguments and interpretations that work for our moment, to be improved by the knowledge and perspectives of our successors. Anticipating that conversation with the scholars of the future, we send off the fruits of our research hopefully to posterity. This Colloquy aims to render hope where the present meets the future.

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