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Seminar
Transformation in the Archives

On January 11th, 2024, as part of the Mellon-Sawyer Seminar Series, "The Data that Divides Us: Recalibrating Data Methods for New Knowledge Frameworks Across the Humanities," at the Center for Spatial and Textual Analysis (CESTA) at Stanford University, Alisea McLeod (University of Chicago), Cynthia McLeod (UCSB), and Bethany Nowviskie (James Madison University) explored how archives have functioned thus far and how they can be newly envisioned in the digital era. 

Paper archives have long been foundational sources of data for humanities scholars — be these materials organized as logs and records or correspondences and various other writings, institutionally produced and preserved, or recovered by other means. What are the risks and rewards of digital archives? What are our corresponding responsibilities — as archivists and scholars of archives in the digital era? What makes a digital data archive? What are their ethics in the new digital formats of accessibility and of preservation? Can we revolutionize the burdens that accompany past archives?


About the Speakers

Alisea McLeod is the Program Manager for Curriculum Innovation at the Institute on the Formation of Knowledge at the University of Chicago. An expert on African American Emancipation, McLeod completed a PhD in English and Education at the University of Michigan (Ann Arbor) in 1998, and has taught at several colleges and universities including St. Augustine’s College in Raleigh, North Carolina; Stillman College in Tuscaloosa, Alabama; and Indiana University South Bend. McLeod has been awarded a number of fellowships including a Gilder Lehrman Summer Faculty Fellowship and an American Documentary Editors Summer Fellowship and was a 2020—2021 Fellow at the Neubauer Collegium for Study of Culture and Society at the University of Chicago, where she has worked with a team of digital humanists to compile names of black soldiers and their families. With University of Georgia professor Scott Nesbit and University of Sydney Lecturer in Political Economy John Clegg, McLeod successfully wrote for an NEH Advancement Grant—Freedom’s Movement: African American Space in War and Reconstruction—in 2018. She has been part of other grant projects including a 2019—2020 Humanities Grant for the Public Good funded by the Council of Independent Colleges and Mellon. You can read more about her work digitizing contraband (war refugee) camp records, public scholarship that promises to reacquaint thousands of Americans with their ancestral pasts, at www.lastroadtofreedom.org

Cynthia McLeod is a PhD Student in the Department of Communication at UCSB. She received her BSc in Psychology with a minor in African American Studies at Howard University in 2017. She then went on to receive her MSc in Digital Anthropology at University College London in 2019, completing her master's thesis titled, Black Twitter: Temporality, (re)Spatializations, and Placemaking. Cynthia's research interests continue to lie at the intersection of all things digital, black culture, and community related, with a keen concentration on social media and the construction of worlds/reality. 

Bethany Nowviskie is Dean of Libraries and Professor of English at James Madison University, where she also serves as JMU’s Chief Academic Technology Officer and as co-PI for the Mellon-funded Flowerings Project, a partnership with the Furious Flower Poetry Center. Nowviskie formerly directed the Digital Library Federation at CLIR (where she has been a Distinguished Presidential Fellow) and served as a Research Associate Professor of Digital Humanities at the University of Virginia. She has been a member of the teaching faculty at UVA’s Rare Book School since 2011, and was the inaugural director of the Scholars’ Lab at the University of Virginia Library. A past president of the Association for Computers and the Humanities and chair of the Modern Language Association’s committee on information technology, Nowviskie received her Ph.D. in Literature from UVA in 2004 and has worked on numerous ground-breaking projects in digital libraries and the digital humanities, including the Rossetti Archive, Temporal Modelling, NINES/Collex and Blacklight, the Ivanhoe Game, and Neatline. The Chronicle of Higher Education once summed her up: “Bethany Nowviskie likes to build things.

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Colloquy

The Data that Divides Us: Methods and Frameworks for Data Across the Humanities

What is data in the humanities? What relationships do humanists have with data? What is the place of data in humanistic inquiry? These questions are pressing in our era of rapid technological transformation, one which is increasingly predicated on creating and consuming data at ever larger scales. With the rapidly growing power of data over various aspects of our lives, it has been said that "data is the new oil." And as data science increasingly moves into interdisciplinary spaces, humanists’ perspectives are essential.

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Flagship humanistic journals in a variety of disciplines—History and Theory, Critical Inquiry, American Historical Review and New Literary History—have recently published special issues on data, reflecting on data as a new structural condition and using humanities methods to illuminate the constructed nature of data. But for far longer the "digital humanities" (DH) has been the space where, most explicitly and intentionally, humanists have worked with data, as Miriam Posner wrote in 2015 in Humanities Data as a necessary contradiction. While the term DH is now commonly accepted, even as it refers to many kinds of work in many different fields, we are still at pains to define what exactly the “digital” is, and how one kind of digital work might be in conversation with another. Yet data might be the key. The stakes of defining the digital might not need to center the taxonomic or the programmatic—although as humanists and educators, we do care about those things. Rather, the stakes of the digital are frequently found in the way in which it invites us to confront our relationship to data—and, it turns out, humanists have many, deeply varied relationships to data.

Our relationships to data are fraught at all stages: capturing, collecting, or making data; “cleaning” or “munging” data; preserving, recording, archiving or storing data; analyzing, understanding, or interpreting data; using, manipulating, abusing, contesting, or resisting data--our practices, and our names for those practices, are rooted in commitments, both political and epistemic, that can be challenging to unpack. What does humanistic data look like? What should it look like? And what can we learn about data and humanities when we deliberately ask these questions across disciplines, institutions, and time periods--when a historian confronts the data practices of a literary critic, or a classicist looks at the data originally collected for scientists?

At the Center for Spatial and Textual Analysis (CESTA) at Stanford we began in 2020 a conversation about data and the humanities in the Workshop "Critical Data Practices" (funded by Stanford Humanities Center). In 2023-2024, thanks to a Mellon Foundation grant, we continued and expanded on that conversation to include outside invited speakers and to support a postdoctoral researcher and two graduate dissertation fellows with the Mellon Sawyer Seminar Series “The Data That Divides Us.” Hosted by CESTA, this year-long seminar asked participants to interrogate how historical assumptions about data continue to shape modern divisions and, paradoxically, might offer new avenues for bridging them. (See the full schedule here.) Taking a deliberately historical and transdisciplinary approach, the seminar as a whole explored the underlying assumptions in the collection, conceptualization, and application of data as these have developed in the last three centuries. What latent bias might historical data carry undetected into our present moment? How has this data shaped contemporary manifestations of historical divisions even as it has created new social, cultural, and political fissures? And how might data help us to redress or speak across the very divisions that it has engendered? These are of the kind questions best tackled in conversations across disciplines and expertise, and we have been fortunate to draw on a community of librarians, archivists, graduate students, faculty, and data activists in this work.

In this Colloquy we share various outcomes of our "The Data that Divides Us" conversation. We include video recordings of visitors’ presentations and written responses to these talks by other seminar participants. We also feature a piece written for the concluding symposium by Chloé Brault, one of the Seminar’s Dissertation Fellows and a PhD Candidate in Comparative Literature, in which she synthesizes the major themes and conversations of the year. And we include a post-seminar interview, led by Nichole Nomura (Seminar’s Postdoctoral Researcher, and now lecturer in the English Department at Stanford) and Matt Warner (Seminar’s Dissertation Fellow, and now lecturer in the English Department at Stanford) with the Mellon Sawyer Seminar’s PIs: Giovanna Ceserani (Classics), Mark Algee-Hewitt (English), Laura Stokes (History), and Grant Parker (Classics and African and African American Studies). The interview reflects on the lessons of the year, and answers the hardest question of all: is data singular or plural?

These reflections underscore the notion that data, in the humanities, is more than a tool. It is a site of inquiry, a cultural artifact, and often a point of tension. Through collective examination, we find that our relationships to data invite us not only to question what we know but also to explore how we know it, taking us to a space of humanistic inquiry where data both divides and connects us, drawing disparate practices and perspectives into critical conversation.

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