In September 2017, a memorial dedicated to survivors of the "comfort women" system was unveiled in downtown San Francisco. As the largest modern sexual slavery system, the "comfort women" system was created and overseen by the Imperial Japanese Government between 1931 and 1945.
This round table gathers scholars from across disciplines to discuss issues related to epistemic inequality and injustice. From their distinct disciplinary locations, participants address these issues as epistemic justice in the Anglo-American philosophy, as the geopolitics of knowledge and epistemicide in the social sciences, as decolonizing knowledge in Southern Theory, and as perspectivism and cognitive justice in World Literary Knowledges.
Why do we do what we do? Why do we labor to read, and teach students to read, slowly, attentively, philologically, and speculatively? What are literary studies’ practical epistemologies? Julie Orlemanski's hypothesis is that answers to questions like these are sedimented in disciplinary activity.
A discussion between Louise Contant, head of collections at the French Musée national de la Marine, Lisa Cubaynes, art history student specializing in underwater museums, and Thierry Perez, marine ecologist with a strong perspective in ocean conservation. Moderated by Juliette Bessette, historian of art and science.
The statistical imagination of the west in the nineteenth century created the conditions of social classification whose ramifications we are still dealing with today. This workshop begins the hard task of unpacking this late nineteenth-century nexus, challenging in particular its data legacies. What conditions underwrote these codifications of race, gender, and development? What do they tell us about the prehistory of data in the centuries before, and what are the consequences of that transformation today?
Mohammad Salama offers a way to re-engage with the Qur’ān's indigenous and Arabic contexts as a means to decolonize the field of Qur’ānic studies. Salama puts emphasis on the Qur’ān as an indigenous code of knowledge, rather than as a text derived from a Late Antique milieu.
Yousuf Saeed reflects on the challenges of making documentary films in India, and using them as a means of education and research. Saeed also talks about his experience as a visiting scholar at Stanford University and special film collections at Green library.