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Falu Bakrania: "Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain"

Asian Underground music—a fusion of South Asian genres with western breakbeats created for the dance club scene by DJs and musicians of Indian, Pakistani, and Bangladeshi descent—went mainstream in the U.K. in the late 1990s. Its success was unprecedented: British bhangra, a blend of Punjabi folk music with hip-hop musical elements, was enormously popular among South Asian communities but had yet to become mainstream. For many, the widespread attention to Asian Underground music signaled the emergence of a supposedly new, tolerant, and multicultural Britain that could finally accept South Asians. Interweaving ethnography and theory, Falu Bakrania examines the social life of British Asian musical culture to reveal a more complex and contradictory story of South Asian belonging in Britain. Analyzing the production of bhangra and Asian Underground music by male artists and its consumption by female club-goers, Bakrania shows that gender, sexuality, and class intersected in ways that profoundly shaped how young people interpreted “British” and “Asian” identity and negotiated, sometimes violently, contests about ethnic authenticity, sexual morality, individual expression, and political empowerment.
Falu Bakrania is an Associate Professor of Race and Resistance Studies (RRS) in the College of Ethnic Studies at San Francisco State University. She is also Co-Director of SFSU's South Asian Studies Initiative. Her scholarship and teaching focus on the South Asian diaspora. She is particularly interested in the areas of gender inequality, nationalism and transnationalism, and youth/popular culture. 



Wednesday, January 28, 2015. 12:00 PM


Encina Hall West, Room 208


Center for South Asia




Free and open to the public.