Usha Iyer (2020-21 fellow), assistant professor of film and media studies, is the author of Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford University Press, 2020), which examines constructions of gender, stardom, sexuality, and spectacle in Hindi cinema through women’s labor, collaborative networks, and gestural genealogies, producing a corporeal history of South Asian cultural modernities.
SHC Project
Indian Cinema and the Caribbean: Cultural Traffics Across Creolized Cartographies
This book project studies the deep affective engagement of Caribbean spectators with Indian cinema in relation to discourses of belonging and citizenship that have developed around the histories of African enslavement and Indian indentureship in Trinidad and Tobago, Suriname, and Guyana. Examining as well the impact of Caribbean cultural forms on the Indian film industry, the book engages with transnational perspectives on race, ethnicity, performance, and migration to produce a multi-sited analysis of the traffic of sensory, embodied forms of knowledge across informal networks between South Asia, Africa, and the Caribbean.