Usha Iyer is Associate Professor of Film and Media Studies in the Department of Art and Art History at Stanford University. Their research and teaching examine film and media cultures in relation to gender, sexuality, race, and caste. Their book, Dancing Women: Choreographing Corporeal Histories of Hindi Cinema (Oxford University Press, 2020) is a study of women’s labor and collaboration. Their current book project, Jammin’: Black and Brown Media Intimacies between India and the Caribbean, studies the affective engagements of Caribbean spectators with Indian cinema and the impact of Caribbean performance cultures on Indian film industries. They are co-editing the volume, Shift Focus: Reframing the Indian New Waves, with Manishita Dass.
Dr. Iyer is Associate Editor of South Asia: Journal of South Asian Studies and serves on the editorial board of Film History. Their essays have appeared in Camera Obscura: Feminism, Culture, and Media Studies, Journal of Cinema and Media Studies, Feminist Media Histories, South Asian Popular Culture, BioScope: South Asian Screen Studies, The Oxford Handbook of Film Theory, A Companion to Indian Cinema, Industrial Networks and Cinemas of India, Figurations in Indian Film, among others.