Hope: The Future of an Idea | 2024 Spring Celebration

Where is hope in humanities research? Perhaps it's a concept with a particular history, perhaps a force whose effects are latent or invisible; or it may be absent altogether for reasons to explain. Does hope motivate one's work? What does hope mean intellectually and personally?

Please join us for brief responses to these questions by current fellows, followed by a general discussion with Q&A moderated by SHC Director Roland Greene. The event will conclude with a reception.

About the Speakers

Samia Errazzouki (Mellon Postdoctoral Fellow) is a historian of early Northwest Africa. She holds a PhD in history from the University of California, Davis and an MA in Arab Studies from Georgetown University. Her research and teaching focuses on trans-regional histories of racial capitalism, slavery, and empire. Errazzouki formerly worked as a Morocco-based journalist with the Associated Press, and later, with Reuters. She is currently a co-editor of Jadaliyya and assistant editor of The Journal of North African Studies.

Jisha Menon (Violet Andrews Whittier Internal Fellow) is Professor of Theater and Performance Studies, and, by courtesy, of Comparative Literature at Stanford University. She is the author of Brutal Beauty: Aesthetics and Aspiration in Urban India (Northwestern UP, 2021) and The Performance of Nationalism: India, Pakistan and the Memory of Partition (Cambridge UP, 2013). She is also co-editor of two volumes: Violence Performed: Local Roots and Global Routes of Conflict (Palgrave-Macmillan Press, 2009) and Performing the Secular: Religion, Representation, and Politics (Palgrave Macmillan, 2017).

Joseph Wager (SHC Dissertation Prize Fellow) is a PhD Candidate in Iberian and Latin American Cultures at Stanford University. He is writing a dissertation focused on the form of the stories about desaparecidos, what is said about desaparecidos, in contemporary Colombia and Mexico. The dissertation places social-scientific inquiry, the work of activists and collectives, and legal instruments in dialogue with art installations, film, novels, performances, and poems. Underpinning this combination is 1. the idea that human-rights changes stem from how individual and collective actions resist institutionalization or translate into institutions and 2. that cultural products (e.g., art) and their form are crucial to the understanding of such processes.

Ya Zuo (External Faculty Fellow) is an associate professor of History at University of California, Santa Barbara. She is a cultural historian of middle and late imperial China. She is the author of Shen Gua’s Empiricism (Harvard University Press, 2018) and a range of articles on subjects such as theory of knowledge, sensory history, medical history, book history, and the history of emotions.