This talk approaches the concept of mediality, which gets to the heart of a number of theoretical questions concerning the entanglements of raciality, mediation, and immediation, and the worldly violence of the everyday. Interrogating the racialized grammars of ontology, phenomenology, and (aesthetic) form, one can begin to further understand the depth of the violence and scope of the implications of what Bradley theorizes as black mediality. Black mediality has massive implications for both the grammar of technics that predominates in the philosophy of media, as well as the conception of mediality this grammar inscribes. Moving by way of artistic example, the talk demonstrates how both mediatic forms and the perceived technological exteriorizations of the modern human subject are bound to normative, phenomenological conceptions of temporality.

This event is generously co-sponsored by the Center for Comparative Studies in Race and Ethnicity.
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