Stanford Humanities Center
Tufan and Ghereghlou discuss their work on the Jon Mandaville Manuscript Collection with Singh.
Yousuf Saeed reflects on the challenges of making documentary films in India, and using them as a means of education and research. Saeed also talks about his experience as a visiting scholar at Stanford University and special film collections at Green library.
Paper archives have long been foundational sources of data for humanities scholars–be these materials organized as logs and records or correspondences and various other writings, institutionally produced and preserved or recovered by other means. What are the risks and rewards of digital archives? What are our corresponding responsibilities–as archivists and scholars of archives in the digital era? What makes a digital data archive? What are their ethics in the new digital formats of accessibility and of preservation? Can we revolutionize the burdens that accompany past archives? This seminar addresses these pressing questions of archives in the digital era.
Jordache A. Ellapen reflects on his photographic project, Queering the Archive: Brown Bodies in Ecstasy, which blends photographs from his family archive with contemporary portraits shot in a studio. The work examines the intersections of race, sexuality, and eroticism as they relate to the in/visibility of black and brown queer bodies and subjectivities in South Africa.
One of the agendas of Caribbean studies has been to create archives—or, more accurately, counterarchives—in order to make claims about the modern world and the significance of the region to the global processes that have shaped it over the past five centuries.
At the time of Pearl Harbor, during December 1941, around 700 Japanese Americans were enrolled at the University of California, and at least thirty were at Stanford University.[1] Within weeks, Japanese American faculty and students at the University of California, Berkeley, and nearby Stanford...
