Red light protrudes from gate
Humanities Futures

Debates have raged over whether the latest crisis of the humanities is rhetoric or reality. In either case, perceptions matter, and such perceptions have real consequences. So what should be done?

Counterhistories of Feminism
As feminists rise up and flood the streets in the years since Trump's election, the movement has simultaneously strengthened its own internal critique. Feminism has long been comprised of multiple streams in tension and often outright conflict. Drawing on nearly 200 years of feminist activism and writing, Kyla Schuller delineates the traditions of what has come to be called "white feminism" and "intersectional feminism"—revealing the liberatory potential of a feminism all too often forgotten, and the devastating limitations of the movement that has become iconic.
The Divers by Fernand Léger
Why Public Humanities?

I have been thinking of this essay as a road map to the ideas and practices of public humanities, a map that would help answer the title question, "why public humanities?" This essay will look at some beginning points for public humanities; work through definitions; talk about the stakes for faculty and students–and the universities and communities in which they work–and consider whether public humanities could be transformative rather than simply translational. No matter how you map public humanities, discussions of collaboration and social justice need to be at the center.

Divers on a Yellow Background by Fernand Léger
The Public Futures of the Humanities
The public humanities stand the best chance of showing the distinctive contribution that the humanities can make to all fields of knowledge by keeping alive values that are irreducible to both instrumentality and profitability. The public humanities not only shows what the humanities have to offer the public sphere, but how various publics are framing what the humanities do within the university.
Curling snow drifts are magnified by the terrain around the 1,400 mile Dnieper River, flowing from Russia to the Black Sea.
Press Here: Cultural Acupuncture and Civic Stimulation
I want to focus on three diverse examples of trickle-up innovation—Theatre of the Oppressed, ACT UP, and the Pro-Test Lab—with mentions of others to encourage more cultural-agent spotting. Artists are never simply victims of circumstance. Their agency sets off creative responses. To follow through from the call of social challenges to the responses of aesthetic innovation is to stimulate collective change.
private by Bob May
Art in the Expanded Field

This book-length manifesto offers itself as both love song and lament. I interrogate research-creation as a genre full of exciting pedagogical and institutional possibility. I also lament the hopeless exhaustion I see in colleagues all around me. As a strategy of resistance to the resignation that surrounds me daily in the arts and humanities wings of the university, I look to research-creation, even as it is being commodified right under our feet, as a site of generative recrafting: a touchstone and orienting point that might help render daily life in the academy more pedagogically, politically, and affectively sustainable.

Speaking for the Humanities
I’ve argued... that [an interdisciplinary] future is imaginable if world-wide, education in the humanities—literature and philosophy, in other words—is, in a certain way, undertaken, and on all levels.