I was intrigued by this (abstract) mathematical analysis of structural balance in social groups because I was teaching Richard II all week, and thinking about my favorite book on Shakespeare, Richard Decker's Anatomy of the Screenplay.
But it was all a mystery. Here we are,And there we go:--but where? (Byron, Don Juan V.39)Look there, look there, King Lear implores, pointing to the dead Cordelia. We know she's dead, but he wants her to "stay a little," which is so much less to ask, in this final scene, than his icy, impossible demand in the first scene that she "mend her speech a little."