As a space, pop culture is an epicenter for queerness; music, especially, has a history of giving LGBTQ subjects representation, visibility, and an opening to be subversive. In this article, Ghisyawan and Kumar focus on soca and chutney-soca as music genres that engage in the complicated politics of queerness and queer desires.
Saqer Almarri explores the terms khuntha, mukhannath, and khanith, and their associated identities, along with their linguistic characteristics and literary uses.*
Authors such as A. E. Benson, Edward Carpenter, Aleister Crowley, and Michael Field explored the place of the humanist individual in a nature-centred belief system that stands in opposition not only to scientific materialism, but also to the industrialism and consumerism of the age. In so doing, they offered an early queer formulation of what today might be recognized as a post-human eco-spirituality.