In the final part of his four-part series, Religious Studies professor Gil Anidjar offers an incisive autocritique of the university.  

In part three of his four-part series, Religious Studies professor Gil Anidjar offers an incisive autocritique of the university.  

In part two of his four-part series, Religious Studies professor Gil Anidjar offers an incisive autocritique of the university. 

In part one of his four-part series, Religious Studies professor Gil Anidjar offers an incisive autocritique of the university.

Is assuming responsibility for audiences’ emotions a legitimate role of the museum, artist, and curator? Does this responsibility change—increase or lessen—when the museum is within a university setting? Edelman explores these questions, as well as others about the relationship between academic discourse and artistic interpretation, through a discussion of Mlangeni's 2023 exhibit.