How has the experience of being a refugee changed in a world of drones, 24-hour live news feeds, and text messages that zip across the globe in seconds? How does contemporary fiction capture the contradictions of being a refugee in a hyperconnected 21st century?

The treatment of the military subject in Shakespeare’s Roman plays complicates early modern cultural understandings of the material aspects of militant nostalgia. Shakespeare inherits a partial and objectified Roman military figure linked to trophies and armor, and this figure negotiates the early modern English playgoer's relationship to his glorious, unattainable Roman past.

To read Wilfred Owen as anything other than an English war poet might seem like sheer, anachronistic willfulness.

Youth is wasted on the young. Except when it’s wasted for them—by, for example, war.

As the underlying structures of the war in Iraq become publicly visible, its basic logics emerge: a systematic campaign of disinformation waged at home and abroad, a propaganda machine of unparalleled sophistication, and a cultivated manipulation of fear in the interests of justifying and perpetuating an increasingly questionable war on terror.