Imvuselelo: The Revival includes photographs of some of the 15-18 million members of the African Zionism movement, a Christian practice, unrelated to Jewish nationalism, which centers healing.

Traoré’s 2017 film reminds us that the border itself is a problematic institution. Even in its most stripped-down form, a border exists for the exercise of power against those populations whose movements it controls. Who crosses—and at what cost—depends on lines of race, class, and gender. 

I got interested, for obvious reasons, in reading Hardy's "The Darkling Thrush". There is a discussion about the poem, initiated by Robert Pinsky, going on at Slate's "The Fray" at the moment.