It is the art that gives the area visibility, importance and a sense of collective selfhood.

This essay examines an instance of media activism by members of a Karachi-based organization run by and for nonnormatively gendered people who are known as khwaja siras.

The formula of the "99 percent" seems at once incredibly rhetorical and real. We are used to hyperbole; we are less used to an absurdly lop-sided figure that is actually matched by a reality. Poetic figuration meets statistical validity.