
Morale finds East Slavic representations of hope in three disparate (chronologically) examples: high medieval chronicles, Dostoevskii's novels of the 19th century, and Tarkovskii's 20th-century films.
Morale finds East Slavic representations of hope in three disparate (chronologically) examples: high medieval chronicles, Dostoevskii's novels of the 19th century, and Tarkovskii's 20th-century films.
On the vital role of the arts and hermeneutics in the current political climate.
By granting that aesthetic surfaces speak in a different language than literary criticism, post-critical reading permits us to broaden the aesthetic forms that count as “critical” and the ways in which critique functions through aesthetic form. Tyler Bradway calls for new grammars of aesthetic agency, ones that more expansively account for the critical and creative forces that aesthetic objects harness to press back against the impasses of their contemporary moment.