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Abbas Kiarostami's Digital Turn
In his final film, the late Iranian director pushes the boundary between photography and film to its limit by breaking down the distinction between moment and duration. This reimagination of form would never have been possible without Kiarostami’s openness to digital techniques.
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Occupy: the view from Tehran II
Arash Beidollahkhani, a Ph.D. candidate in Political Science at the University of Tehran, connects the Arab Spring to Occupy and other protests globally. See Part I for the first installment of his article.