Contreras considers the short story "La máquina de la felicidad" by the Venezuelan writer Jesús Enrique Lossada, discussing its tale of mankind’s liberation through an apparatus.

Is it possible to fail aesthetically but succeed ethically? I thought of this question as I read Mario Vargas Llosa’s recent The Dream of the Celt, published in 2010, the year he won the Nobel Prize for literature, and now available in English.

In the work of the most distinguished Latin American authors there is a disquieting circumstance, namely, the virtual omnipresence of a particular semantic field centered upon the concepts of copy, imitation, emulation, plagiarism, and influence.