A reflection on an influential figure in the genre-oriented criticism of the late twentieth century.

The New Yorker just released its first special issue devoted to science fiction, including contributions from genre giants like Ursula K. Le Guin and Ray Bradbury as well as rising "literary fiction" stars like Junot Díaz and Karen Russell.

In a recent post about Stephen Best and Sharon Marcus's article "Surface Reading," I suggested that the history of a text's reception could constitute a surface-reading practice. Here, I want to take up my promise to discuss the affinities between reception history and one of the modes of reading that Best and Marcus do include: genre criticism.