
The first place you'll catch me when visiting a new town or city is usually a local coffeehouse, kind of absorbing the city through sitting at that cafe.
The epistemological problems of the score, notably concerning the relation between the body that produces the sound, and the body that notates the sound, is bound up with an even broader epistemological problem, namely—how do we conceive of linguistic sound as a whole?
Why would anyone read a reference work cover-to-cover? Aren't they designed to be consulted selectively, at need? Isn't that why so many of the old standards--the Oxford English Dictionary, the Merriam-Webster Dictionary, and the Encyclopedia Britannica--have reinvented themselves as searchable web...