The Future of the Public Humanities

updated

Is the future of the humanities a public one? In an era of challenges to history, philosophy, literature, and the other humanistic disciplines, utopian thinking about new outlets and broad audiences has become commonplace. Institutions of all sorts promote projects in the public humanities as an unequivocal gain for all, while reflection on the compromises of such projects—not to mention their hazards and omissions—is rarer, and sometimes difficult or unwelcome.

This Colloquy is conceived to demonstrate that a truly public humanities will encourage critical attention to its own premises. The arguments and questionings gathered here generally proceed from an awareness of the long history of intellectual work addressed to the public. They tend to recognize both that now scholarship may go public in more channels than ever—from publication to video to new media—and that, for good reasons, some of the most important work of our time will never find a wide audience. In light of these realities, one might begin by inquiring how the two terms, public and humanities, change as they come into contact, and how what they mean together might be different from what they mean apart.

Judith Butler's essay, which appeared in a number of the journal Daedalus dedicated to "The Humanities in American Life" in 2022, sets a frame around the Colloquy by insisting that the public humanities must exist not to promote the relevant fields of study for instrumental or market-driven purposes, nor to serve or advertise, but to bring a truly public dimension to the work humanists do. Butler envisions that public dimension as introducing topics of the broadest concern into the work of the humanities, at best reorienting both "the mission of the university" and "the relation between universities and the public." She concludes with a call for a public humanities that issues "a life call, to foster a critical imagination that helps us rethink the settled version of reality."

Gayatri Chakravorty Spivak, represented here by an informal reflection that appeared in Arcade's journal Occasion about ten years ago, complements Butler's argument by challenging one form of instrumental thinking about the humanities, namely rational choice, and countering that with a robust defense of the literary imagination. Spivak's argument was developed in her book An Aesthetic Education in the Age of Globalization (2013), which was in press at the time of the essay for Occasion. As Spivak's essay shows, comment on the humanities in the public world has appeared in Arcade for many years now.

Several other recent items propose their own interpretations of a public humanities. Doris Sommer narrates three engrossing examples of how the provocations of public art (especially conceptual, avant-garde, or marginal) can prompt social change. Natalie Loveless describes "research-creation" as a practice of art informed by scholarly work (say, in history or cultural theory) that forces a reconsideration of the boundaries between not only disciplines but intellectual media and of the "rendering public (publishing) of research within a university context." Hannah Kim discusses the potential as well as the costs of applying virtual reality to the public representation of history. In a searching interview on the evolving idea of liberty, Quentin Skinner reflects on how his view of the relation of the applicability of the past to the present has changed and why he accepts the role of a public intellectual today.

In a talk for the Stanford Humanities Center in 2022, Kyla Schuller responded to my first question—about how her public-oriented book The Trouble with White Women (2021) evolved from a more conventionally academic project—by noting the diversity and sophistication of public readerships. "People are hungry for what scholarship can teach us," Schuller said, as she observed that audiences for books like hers do not exist in waiting but are convened by work that dares to educate and confront them. In an interview, Rey Chow expands on her book A Face Drawn in Sand: Humanistic Inquiry and Foucault in the Present (2021), in part a critique of recent adaptations (not only public-oriented but environmental, digital, and computational scholarship) as more or less at odds with a non-utilitarian kind of humanities. Two influential figures who are active in institutions, Susan Smulyan and Zrinka Stahuljak, describe how their centers at Brown and UCLA are adapting to the needs of public scholarship today.

As in all Colloquies, especially on topics as open as this one, the work continues. We encourage contributions about the responsibilities of public-oriented writing in a post-factual society; the challenges of accommodating multilingual, recondite, or profoundly historical scholarship into the public humanities; and the nature and value of research that will never go public. We would be glad to receive first-person accounts of careers and projects in terms of the public humanities. Comments, suggestions, and submissions are welcome.

Curator

Roland Greene

https://flickr.com/photos/odysseasgr/6213728221

Humanities Futures

Lecture

Jo Fox

Debates have raged over whether the latest crisis of the humanities is rhetoric or reality. In either case, perceptions matter, and such perceptions have real consequences. So what should be done?

The Public Futures of the Humanities

Journal Article

Judith Butler

The public humanities stand the best chance of showing the distinctive contribution that the humanities can make to all fields of knowledge by keeping alive values that are irreducible to both instrumentality and profitability. The public humanities not only shows what the humanities have to offer the public sphere, but how various publics are framing what the humanities do within the university.

Freedom, Silent Power and the Role of an Historian in the Digital Age: An Interview with Quentin Skinner

Journal Article

Filip Bialy

How should we use intellectual history to inform our thinking about freedom in the advent of digital technologies? Quentin Skinner argues that the prevalent liberal idiom is unable to address the political challenges in the world of big tech.

Virtual Reality and Public History

Essay

Hannah H. Kim

How could virtual reality be best used for public humanities? One immediate thought is that virtual reality would be an excellent tool for teaching history.

Speaking for the Humanities

Journal Article

Gayatri Chakravorty Spivak

Today more than ever, we have to remember that the strict distinction between public and private still holds only in theory. It is not that the public and the private are hopelessly entangled; it is just that the public and the private bleed into each other. I am interested in how the non-scientist, the non-philosophers, the non-political scientists of the world can share the basic consistencies of a reasonable polity: the public sphere.

Art in the Expanded Field

Book Chapter

Natalie Loveless

This book-length manifesto offers itself as both love song and lament. I interrogate research-creation as a genre full of exciting pedagogical and institutional possibility. I also lament the hopeless exhaustion I see in colleagues all around me. As a strategy of resistance to the resignation that surrounds me daily in the arts and humanities wings of the university, I look to research-creation, even as it is being commodified right under our feet, as a site of generative recrafting: a touchstone and orienting point that might help render daily life in the academy more pedagogically, politically, and affectively sustainable.

Why Public Humanities?

Journal Article

Susan Smulyan

I have been thinking of this essay as a road map to the ideas and practices of public humanities, a map that would help answer the title question, "why public humanities?" This essay will look at some beginning points for public humanities; work through definitions; talk about the stakes for faculty and students–and the universities and communities in which they work–and consider whether public humanities could be transformative rather than simply translational. No matter how you map public humanities, discussions of collaboration and social justice need to be at the center.

Modelling Early Global Studies at UCLA: An Interview with Zrinka Stahuljak

Essay

Zrinka Stahuljak

A leading scholar and institutional leader reflects on recent developments in her field, the public humanities, and the evolution of a research center for medieval and early modern studies.

Press Here: Cultural Acupuncture and Civic Stimulation

Book Chapter

Doris Sommer

I want to focus on three diverse examples of trickle-up innovation—Theatre of the Oppressed, ACT UP, and the Pro-Test Lab—with mentions of others to encourage more cultural-agent spotting. Artists are never simply victims of circumstance. Their agency sets off creative responses. To follow through from the call of social challenges to the responses of aesthetic innovation is to stimulate collective change.

Counterhistories of Feminism

Book Talk

Kyla Schuller

As feminists rise up and flood the streets in the years since Trump's election, the movement has simultaneously strengthened its own internal critique. Feminism has long been comprised of multiple streams in tension and often outright conflict. Drawing on nearly 200 years of feminist activism and writing, Kyla Schuller delineates the traditions of what has come to be called "white feminism" and "intersectional feminism"—revealing the liberatory potential of a feminism all too often forgotten, and the devastating limitations of the movement that has become iconic.

Reflections on Norming in the Neoliberal Global University: A Conversation with Rey Chow

Intervention

In this interview, on the occasion of the publication of her new book, Rey Chow reflects on the public (as well as environmental and digital) humanities and the current status of Michel Foucault's thought, among other topics.

The Humanities in Practice

New

Clare A. Lees

This lecture draws on examples from English studies, medieval studies and the humanities, the three areas in which Lees conducts her work, to explore what the humanities in practice tell us about their potential at this critical juncture.