Tufan and Ghereghlou discuss their work on the Jon Mandaville Manuscript Collection with Singh.

Anna Dezeuze on the artistic celebration of slum creativity.

Brault examines the promise of data as the opportunity to examine methods, to do something new and to vary methods, to scale claims and the type and amount of evidence presented to substantiate them, and to deepen and complicate arguments.

In a conversation with our editor, Professor Mark Algee-Hewitt reflects on his career in the digital humanities, the future of the field, and its role at the university.

In her lecture, "Another (Digital) World is Possible: The Stakes of Postcolonial Digital Humanities," Roopika Risam discusses connections between the physical and epistemic violence of colonialism to demonstrate the stakes of knowledge production in digital landscapes. Calling on digital humanities scholars to make visible the epistemic violence that shapes knowledge production, Risam explores what a post-colonial digital humanities might look like. 

This chapter considers how the performance of ecosexuality suggests ontologies of both performance and the material world that figure performances as materializing phenomena in which material entities do not merely interact but are intra-actively produced.

Members of the '23-'24 cohort of Fellows discuss how their research informs and is informed by the concept of hope.